Commons Forum #3
“On the production ‘HIKU’ and hikikomori—When ‘a place where we can be together’ emerges”

  • Forum
© Juliette Larochette

The theatrical production HIKU is co-organized by Theater Commons Tokyo ’26 and Miraikan – The National Museum of Emerging Science and Innovation. The performers, —people who have experienced severe social withdrawal and are in the process of resocialization and the members of their community— enter the stage using remotely controlled robots as their avatars, which they operate from their own bedrooms. As they retreat (in Japanese, hiku), from forced in-person communication using corporeal bodies and conduct dialogue through other channels, the theater space transforms into an intimate commons. What kind of hope can we discover there?
In addition to the artists, we invite two guests for this forum: Atsutoshi Takahashi, who has been practicing the “creation of spaces where we belong” with hikikomori individuals, and Asa Ito, who researches how diverse bodies exist through the lens of disability, altruism, and technology. Many people, not just hikikomori, struggle with life in our current society. We would like to discuss, together with everyone who attends, the transformative potential of spaces where people can be together, and of how we communicate—specifically, from the standpoint where art and technology intersects.

*This project received support through the Villa Kujoyama post-residency program, with the support of the Institut français, the Institut français du Japon, and the Bettencourt Schueller Foundation.

Speakers |
Éric Minh Cuong Castaing (choreographer)
Anne-Sophie Turion (author, director and performer)
Atsutoshi Takahashi (director of New Start Kansai association)
Asa Ito (aesthetics scholar, professor of the Institute of Science Tokyo)

Facilitator | Akira Ohkubo (Science Communicator, Miraikan – The National Museum of Emerging Science and Innovation)

Profile

Éric Minh Cuong Castaing
Choreographer and founder of the Shōnen company, Éric Minh Cuong Castaing combines dance and technologies (robots, drones) in in socius creative processes rooted in societal realities (partnerships with hospitals, NGOs, research labs). He explores the dualities of reality/fiction, nature/culture, and organic/artificial, collaborating with dramaturges, videographers, and choreographers. His works are presented across France and internationally (Centre Pompidou, Comédie de Genève, MODU Theater [South Korea]), supported by the Ministry of Culture and several foundations.

Photo: Kamila K Stanley

Anne-Sophie Turion
Author, director and performer Anne-Sophie Turion creates performances for stage as well as public space. From the first person to choral narratives, through the use of objects or the spoken word, she explores the intimate in all its guises. Her projects are shifting biographical forms: we breathe in them and get lost in them, hearing things that can’t be told.
Her company, GRANDEUR NATURE, is based in Marseille and associated with Zef – Scène Nationale de Marseille and La Passerelle – Scène Nationale de Gap.

Photo: Éric Minh Cuong Castaing

Atsutoshi Takahashi
Director of New Start Kansai association, that conducts outreach activities, such as home visits to families dealing with hikikomori. They have established a “commons” called “Heso-de-cha” as a hub for local autonomy. In this space, social issues and personal challenges—such as illness, disability, and discrimination—are shared through dialogue, play, and DIY, rather than relying solely on hospitals or experts. They also operate “Commons Heart” a community handyman service that helps neighbors with small, everyday tasks.

Asa Ito
Director of DLab+ at the Institute of Future Science, professor of the Institute of Science Tokyo, specializing in aesthetics and contemporary art. After initially intending to become a biologist, she turned her academic focus to the arts while in her third year at university. As author, Dr. Ito’s major works include Me no mienai hito wa sekai wo do miteiru no ka (How Do People Without Sight See the World?, Kobunsha), Domoru karada (The Stuttering Body, Igaku-Shoin), Kioku suru karada (The Remembering Body, Shunjusha), and Te no Rinri(Ethics of hands, Kodan-sha).

Date

March 7th [Sat] 19:00–20:30

Perfomance times

90 min.

Venue

Miraikan – The National Museum of Emerging Science and Innovation, 1F Special Exhibition Zone a
2-3-6 Aomi, Koto-ku, Tokyo 135-0064

Ticket

Free
Booking essential.

Book now

Please note

*The main entrance won’t be available after 17:00. Please use the Staff Entrance on the Right side of the front of the building.

Language

Japanese (with interpretation from French to Japanese) 

Accessibility

Subtitles | None 
Audio guide | None
Additional accessibility | Text interpretation available, written communication support available at reception
Wheelchair-accessible seating available

Credits

Interpreter | Akihito Hirano (Art Translators Collective association member)
Co-organized by | Miraikan – The National Museum of Emerging Science and Innovation, Theater Commons Tokyo Executive Committee
Support| Dance Reflections by Van Cleef & Arpels, Embassy of France in Japan / Institut français du Japon, the Villa Kujoyama and the Bettencourt Schueller Foundation
Cooperation | New Start Kansai association