Commons Forum #2
“Arts and Public”

Panel Discussion

Redefining the public role of the arts in “the age of the public.”

Numerous public figures have recently come forward with the view that public funding should not be used for art that disturbs people. Government authorities and the public that agree with this assertion have become visible more than ever before. To begin with, it would be difficult to say that the concepts of “the public role of the arts” and “freedom of expression” have found strong enough social consensus in Japan. And the basis of Japan’s cultural policy, which prioritizes boosting local economies and promoting the image of the nation and the city, is now drastically being undermined.
In this forum, opposing participants ̶ including artists, art producers, cultural policy researchers and so on ̶ bring ideas on “the public” that they explore in their practices. Through understandings and differences, we discuss the role that “the public” should serve within the arts and society. We intend for the conversation to continue on the future of post-Olympics cultural policies and on designing arts and culture grants free from the influence of political and international affairs.

Panelists |
Fram Kitagawa (Art director)
Ryuta Ushiro (Artist, Chim↑Pom)
Keigo Kobayashi (Associate Professor, Dept. of Architecture, Waseda Univ., Architect, Co-partner at NoRA)
Tomoko Wakabayashi (Project Coordinator, Project Associate Professor of Rikkyo University Graduate School of Social Design Studies)

Moderator | Chiaki Soma (Director of Theater Commons Tokyo)

Commons Forum

Since Aichi Triennale 2019, discussions around freedom of expression and the public role of the arts have erupted. What are the next steps for this society exposed to its divisions and discords? As a response to this urgency, TCT’20 hosts a four-session Commons Forum intensive. Under the themes of “Arts and Society,” “Arts and Public,” “Arts and Virtuality,” and “Arts and Politics,” we welcome over 20 panelists from home and abroad for discussions totaling more than 10 hours. Weaving together history and future as well as theory and practice, we hope to emerge with some common ground where we can stop and consider the potential of the arts in overcoming social divisions.

Profile

Fram Kitagawa
Born in 1946. Chairman of Art Front Gallery. Following his graduation from Tokyo University of the Arts, Fram Kitagawa has organized and been responsible for a wide range of art projects and exhibitions such as Antoni Gaudi exhibition (1978-1979), Apartheid Non! International Art Festival (1988-1990), Faret Tachikawa Art Project (1994) etc. As for the community development activities, he has served as general director of the Echigo-Tsumari Art Triennale since 2000, Setouchi Triennale since 2010, the Northern Alps Art Festival as well as the Oku-Noto Triennale since 2017, and Ichihara Art Mix, Boso Satoyama International Art Festival 2020.

Ryuta Ushiro
Chim↑Pom is an artist collective formed in 2005 whose practice responds to contemporary issues with a strong social message. Though based in Tokyo, the group develops projects around the world.
In 2019 published The Age of Public (Asahi Press) with artist Osamu Matsuda. As participants of “After ‘Freedom of Expression?'” art exhibition during Aichi Triennale 2019, the collective was among the leading artist to protest against censorship by starting ReFreedom_Aichi movement.

Keigo Kobayashi
Born in Tokyo. After studying at the Department of Architecture at Waseda University and completing a Master’s Degree at the Harvard Graduate School of Design in 2005, Kobayashi was involved in numerous projects at OMA/AMO office in Rotterdam until 2012. Since 2012, Kobayashi has been teaching at Department of Architecture of Waseda University and co-founded Network of Research and Architecture (NoRA). Some of his works includes “Exhibition Design of 2014 Venice Architecture Biennale Japanese Pavilion”, and “Gordon Matta Clark Exhibition Design at MOMAT.” He has also been collaborating with PortB / Akira Takayama on “Wagner Project” and “McDonald’s Radio University.”

Tomoko Wakabayashi
Project coordinator / Specially Appointed Associate Professor of Rikkyo University Graduate School of Social Design Studies.
After working for a design firm, she returned to college to study cultural policy and arts management in the U.K. From 1999-2013 she worked for the Association for Corporate Support of the Arts as a program officer developing an effective environment and ways for corporations to support the arts and culture. Currently she works across a wide range of arts project s as an independent coordinator, including writing, research, program evaluation, consulting for corporations, foundations, and municipalities. Her interest presently lies in exploring the potential of arts and culture in the field of social design.

Photo: Yuri Yasuda ⒸKo Na design

Chiaki Soma
Representative Director of NPO Arts Commons Tokyo, Art producer. Chiaki was the first Program Director of Festival/Tokyo, Japan’s leading performing arts festival, from 2009-2013, as well as the first Director of Steep Slope Studio in Yokohama from 2006-2010. She served on the Agency for Cultural Affairs’ Culture Council Cultural Policy Subcommittee from 2012-2015. In 2015, she received the Chevalier de L’Ordre des Arts et des Lettres. Since 2016, she has been a Specially Appointed Associate Professor, College of Contemporary Psychology, Body Expression and Cinematic Arts, Graduate School of Contemporary Psychology of Rikkyo University, Tokyo; since 2017, she has served as the chairperson of the Theater Commons Tokyo Executive Committee, as well as its director. She is also involved in theatrical curation for the 2019 edition of the Aichi Triennale.

Photo: Yurika Kawano

Date

March 3rd [Tue] / 18:00-21:00

Venue

Libra Hall
1F Minato Park Shibaura, 1-16-1 Shibaura, Minato-ku, Tokyo 105-0023

How to Participate

Booking essential. Show general admission pass on entry.
Buy Pass

Language

Japanese